Interventions

Queer Dreambook

I envisioned, planned, and edited the “Queer Dreambook”, a collective public intervention in post-Yugoslav cultural heritage and traditional local knowledge.

The “Queer Dreambook” offers a feminist, queer rewriting of classic dreambooks (sanovnici, sanjarice) that have been used in former Yugoslav countries since the late nineteenth century. It was created by a team of around sixteen people from Montenegro, Bosnia and Herzegovina, Croatia, and Serbia and published in Montenegro in 2016.

The Dreambook was created out of a conviction that cultural heritage is not a frozen, unchangeable, clearly defined corpus of knowledge that experts simply need to describe, keep, and pass on. It interweaves ethnological and anthropological knowledge – as well as knowledge of gender studies, feminism, literature, and sociology – with the existing corpus of traditional Balkan knowledge, in order to make the dreambook more open for different people who have had diverse experiences and find themselves in unequal positions in society.

More about Queer Dreambook

 

Topography of Memory

During a mountain hike several years ago, I realized that there are hundreds, if not thousands of memorial plaques across Montenegro, often located right off of remote roads, hiking paths, or hard-to-reach villages. Most were placed during the socialist Yugoslav era and commemorate local events that were important for the partisans, workers, and socialist revolution.

Together with my husband Danilo, I started taking pictures of such memorial plaques. Whenever we stumble upon one, we take a picture of the plaque and the surrounding area. We post pictures on Instagram, under the name Topography of Memory.

 

 

Aquamarine Press

In 2012, I founded a non-commercial, micro publishing house in Montenegro, called Aquamarine Press.

It specializes in publishing social science texts and speculative fiction, particularly ethnographies and SF stories. Its small, dedicated team of writers, anthropologists, translators, and designers work on one to two titles per year.

 

Blue Lagoon

I recently started collecting materials for a history of a now-closed puppet theater in Podgorica, Montenegro, called the “Blue Lagoon” (Plava laguna). The theater existed from 1994 to 1996, as an independent, private company, producing three plays, which had been performed several hundred times in total.

This project also presents a search for a piece of an almost forgotten family history for me, since my parents founded and led the Blue Lagoon.